Kathy Frizzell, Kim Walker-Smith, Nate Ward
A theologically rich prayer of pursuit rooted in Exodus 33, combining Mosaic encounter language with New Covenant access. The song grounds intimacy-seeking in biblical narrative rather than sentimentality, making it a strong choice for seasons emphasizing God's presence, the worthiness of Christ, and the believer's longing for deeper encounter. The slow tempo and contemplative structure favor reflective worship environments.
Five lenses
The song directly parallels Moses' request in Exodus 33:18, 'Show me your glory,' and weaves in the themes of God's goodness, the longing to see His face, and the reverence of encountering holiness. The request for revelation of glory is thoroughly biblical, grounded in both Old Testament theophanies and New Testament promises that believers will see God face to face. The lyric references God's goodness passing before Moses and the desire to dwell in His presence, maintaining fidelity to the Exodus 33-34 narrative while applying it devotionally to the worshiper's life. The only slight tension is that Moses' request was unique to his mediatorial role, but the song appropriately bridges this through the New Covenant reality that all believers have access to God's presence through Christ.
The song maintains a clear theological arc of grace-invited pursuit. The worshiper responds to God's initiative, seeking deeper revelation of His glory not as a merit-based achievement but as a believer's rightful longing. The Christological center is implicit but present in the invocation of access to God's presence, which theologically depends on Christ's mediatorial work. The song avoids prosperity language and keeps glory-seeking tethered to God's character rather than personal experience. The request for God to show His glory assumes God's sovereign choice to reveal Himself, echoing the Exodus narrative where God grants or withholds revelation according to His will. The only minor ambiguity is whether the pursuit is presented as means of salvation or fruit of salvation; context and teaching will clarify this is a redeemed heart's longing.
The song sits comfortably in the congregational range, with the D5 ceiling accessible to most mixed congregations when led confidently. The melody is simple and stepwise, with no large intervallic leaps or syncopation that would hinder corporate singing. However, the 73 BPM tempo and sustained lyrical phrasing require breath support and vocal stamina. Some congregations may find the pace too slow for sustained engagement, especially if the arrangement lingers in ambient instrumental sections. The song benefits from confident vocal leading and clear phrasing cues. The repetition of key phrases aids memorability and congregational entry.
The song's poetic strength lies in its direct use of Exodus 33 language, grounding intimacy-seeking in biblical narrative rather than abstract emotion. The request to see God's glory and the image of His goodness passing by are vivid and scripturally rooted. The phrase 'nothing compares to You' functions as a simple but effective declaration of God's supremacy, though it lacks fresh metaphor. The commitment to follow 'anywhere' echoes discipleship language found throughout the Gospels. The lyric avoids overwrought emotionalism and stays focused on God's character and the worshiper's responsive longing. The repetition serves the contemplative tone rather than filling space. Some phrases lean on familiar worship vocabulary without adding new dimension, but the overall poetic effect is clear and reverential.
The most likely objection is that the song encourages subjective experience-seeking over Word-centered worship. This is addressable by teaching the Exodus 33 context and emphasizing that Moses' request was for deeper knowledge of God's character, not emotional encounter for its own sake. A secondary objection may come from those who see Moses' unique mediatorial role as non-transferable to the average believer. The New Covenant reality of Christ's mediation and the believer's access to the Father through Him resolves this. The song is defensible as a biblical prayer of longing for deeper revelation of God's glory, rooted in Scripture and appropriate for redeemed hearts.
Full analysis
Show Me Your Glory is a contemplative prayer song rooted in the Exodus 33 narrative, where Moses requests to see God's glory and God responds by proclaiming His goodness and His name. The song translates this ancient encounter into a personal petition for deeper revelation of God's character and presence. The theological foundation is solid: the request for God to show His glory is not presumption but the longing of a heart in covenant relationship, invited by God Himself to seek His face. The song avoids the pitfalls of generic intimacy language by anchoring the pursuit in a specific biblical text and in God's revealed character rather than emotional experience.
The structure is simple and repetitive, functioning as a meditative refrain rather than a narrative arc. The slow tempo and sustained phrasing create space for reflection and personal engagement with the prayer. This is not a song for high-energy corporate declarations but for quieter moments of consecration, intercession, or response to preaching on God's glory, holiness, or presence. The individual voice throughout ('I' and 'me') mirrors the Mosaic narrative and fits the personal nature of the request, though it may feel less corporate in some contexts. Pairing with a corporate song of God's glory or majesty can balance the set.
Theologically, the song upholds God's sovereignty in revelation. The worshiper does not demand or conjure God's presence but petitions for it, acknowledging that God alone chooses to reveal His glory. The phrase 'Your goodness passing by' echoes Exodus 33:19, where God declares that He will make His goodness pass before Moses. This grounds the song in God's gracious initiative rather than human merit. The commitment to follow 'anywhere' reflects the proper outcome of encountering God's glory: surrender and obedience. The arc from petition to worship to commitment is theologically sound and mirrors the Psalms.
For Baptist contexts, the song fits well within a theology of personal conversion and ongoing sanctification. The pursuit of God's presence is not works-based mysticism but the fruit of a redeemed heart, consistent with Jesus' teaching that those who hunger and thirst for righteousness will be filled. The song's emphasis on God's worthiness and the worshiper's responsive longing aligns with Baptist emphasis on personal faith and devotion. The lack of explicit Christological reference may require framing with New Testament teaching on access to the Father through Christ, but the song's theology is compatible with orthodox evangelicalism. This is a strong choice for services emphasizing consecration, deeper walk with God, or response to teaching on God's holiness and glory.
Defense brief
Who raises this: Theologically conservative members concerned about subjectivism in worship
Moses' request in Exodus 33:18 was not for emotional experience but for deeper revelation of God's character. God responded by proclaiming His name and His attributes (Exodus 34:6-7). The song's request to see God's glory is a request for fuller knowledge of who God is, which aligns with Paul's prayer in Ephesians 1:17-18 that believers would have 'the Spirit of wisdom and revelation in the knowledge of Him.' The pursuit of God's glory is not mysticism but biblical devotion.
Before or after the song, read Exodus 33:18-23 and Exodus 34:6-7 to anchor the request in Scripture. Emphasize that God reveals His glory through His proclaimed name and character, not through subjective visions. The song is a prayer for deeper understanding of God's revealed character, consistent with the Psalms and Pauline prayers.
Who raises this: Biblically trained members concerned about improper application of Old Testament narratives
While Moses' mediatorial role was unique, the New Testament teaches that all believers now have access to God's presence through Christ (Hebrews 10:19-22, Ephesians 2:18). Paul writes that we 'all, with unveiled face, beholding the glory of the Lord, are being transformed into the same image' (2 Corinthians 3:18). The believer's request to see God's glory is not presumption but the exercise of covenant privilege purchased by Christ. We do not approach as Moses did, but we approach with even greater access through the blood of Jesus.
Teach that the song applies the Exodus 33 narrative through the lens of the New Covenant. What Moses sought as a unique mediator, we now seek as adopted children with access through Christ. The request is not arrogance but the rightful longing of redeemed hearts to know God more fully.
Scripture map
Primary foundations
Supporting connections
Story behind the song
The song was written collaboratively by Kathy Frizzell, Kim Walker-Smith, and Nate Ward for the Jesus Culture album 'Starlight' released in 2017. The writing team sought to capture the longing for God's presence expressed in Exodus 33, translating Moses' ancient prayer into a modern worship context.
Jesus Culture album notes
Kim Walker-Smith has stated that the song reflects her own journey of deeper pursuit of God's presence, moving beyond performance-based ministry into a hunger for encountering God's character and glory more fully. The slow, contemplative pace reflects this shift from activity to intimacy.
Worship leader interviews
The song has been widely used in prayer gatherings, consecration services, and moments of corporate intercession, particularly in charismatic and evangelical contexts that emphasize personal encounter with God. Its biblical grounding in Exodus 33 has made it accessible across theological streams that value both Word-centered worship and presence-oriented spirituality.
CCLI usage data and worship trends
Themes
Sermon series fit
Audience fit
Maturity
Best suited for congregations with some biblical literacy and familiarity with contemplative worship. Newer believers will benefit from teaching on the Exodus 33 context.
Age group
All ages, though the slow tempo and sustained phrasing may engage adults and young adults more than children or youth without adaptation
Service type
Evening services, prayer gatherings, communion, altar response, contemplative worship sets, midweek services
Visitor-friendly
Moderately visitor-friendly; the simple melody and repetition aid participation, but the slow pace and individual voice may feel unfamiliar to those new to corporate worship
Special contexts
Excellent for leadership retreats, mission team commissioning, ordination services, pastoral installations, and any context emphasizing deeper consecration or pursuit of God
Similar songs
If you love this song
Open the Eyes of My Heart (Paul Baloche) - similar longing to see God's glory and holiness
I Surrender All (Judson Van DeVenter) - parallel theme of consecration and following God anywhere
As the Deer (Martin Nystrom) - Psalmic longing for God's presence with contemplative tone
Here I Am to Worship (Tim Hughes) - worship as response to beholding God's glory and worth
One Thing Remains (Jesus Culture) - similar contemplative style and emphasis on God's goodness
If this concerns you
Holy, Holy, Holy (Reginald Heber) - corporate, objective declaration of God's holiness and glory
How Great Thou Art (Stuart Hine) - God's glory revealed in creation and redemption, less subjective pursuit language
All Hail the Power of Jesus' Name (Edward Perronet) - corporate, Christological focus on Jesus' glory and kingship
The Glory of God (Kings Kaleidoscope) - doctrinally dense exploration of God's glory with strong theological grounding
Immortal, Invisible (Walter Chalmers Smith) - objective hymn focusing on God's attributes and transcendence
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